Robert Polidori “Zones of Exclusion Pripyat and Chernobyl” Signed 1st Edition
$4,240.00
Zones of Exclusion – Pripyat and Chernobyl
Photographs by Robert Polidori
First edition, 2003
Signed by Mr. Polidori in 2005
Amazing “time capsule” now almost 20 years past.
Will ship promptly upon receipt of payment, carefully packaged in a box, fully
insured, signature required.
1 in stock
Additional information
| Weight | 112 oz |
|---|---|
| Dimensions | 14 × 12 × 4 in |
Be the first to review “Robert Polidori “Zones of Exclusion Pripyat and Chernobyl” Signed 1st Edition”
Related products
Signed First Edition: “Recollections” Women in Photography, 1979 Art Book
Price range: $264.00 through $273.10
This is a black cloth-wrapped vintage coffee table hardcover featuring selected black and white images from some of the pre-eminate female photographers of the 20th century. Published by Viking in 1979, edited by Margaretta K. Mitchell, 206 page, including biographical notes.
First edition, signed by Ms. Mitchell to Robert Murdock, thanking him for his help for the opening of the gallery show that accompanied the book. Also signed by Barbara Morgan (one of the artists featured in the content). This is a very good or better volume, with no significant flaws. Black cloth on boards shows some light sunning along edges. Matching vintage dust wrapper has a large loss at the back upper edge, and some smaller losses along edges. Surface rubbing in places front and back. Now protected in a removable archival mylar sleeve for proper presentation. See the accompanying images for full condition details. Will ship promptly, carefully packaged, with tracking. Margaretta K. Mitchell – A Concise Biography: Margaretta K. Mitchell (née Kuhlthau; born May 27 1935 in Brooklyn, New York) is an American photographer, writer, and educator whose career has spanned more than six decades. After graduating magna cum laude from Smith College in 1957, she worked as a research assistant to Edwin Land, the inventor of the Polaroid instant camera, until 1959. This early exposure to cutting‑edge photographic technology helped shape her lifelong interest in the medium’s technical and aesthetic possibilities. Mitchell’s photographic oeuvre is rooted in the Pictorialist tradition, emphasizing formal qualities of line, shadow, and composition—particularly in black‑and‑white portraiture and still‑life studies. Over the years she has incorporated graphic media into her images of flowers, expanding her visual vocabulary. Her work belongs to major public collections, including the Amon Carter Museum of American Art, the International Center of Photography (ICP), the Akron Art Museum, and San Francisco Museum of Modern Art. Beyond creating images, Mitchell has been a prolific author and curator. In the late 1970s she organized the traveling exhibition “Recollections: Ten Women of Photography,” which highlighted the contributions of pioneering women photographers such as Berenice Abbott, Ruth Bernhard, and Lotte Jacobi—an effort that helped restore their place in photographic history. Her publications include: “To a Cabin” (1973), co‑authored with Dorothea Lange, a lyrical account of rural life; “Gift of Place” (1969), a meditation on landscape and memory; A biography of Ruth Bernhard (2000); and “The Face of Poetry” (2005), exploring the intersection of visual art and verse. Throughout her career Mitchell has taught photography, written extensively for Popular Photography magazine, and continued to exhibit and publish, cementing her reputation as a vital chronicler of both the medium’s history and its contemporary practice.
First edition, signed by Ms. Mitchell to Robert Murdock, thanking him for his help for the opening of the gallery show that accompanied the book. Also signed by Barbara Morgan (one of the artists featured in the content). This is a very good or better volume, with no significant flaws. Black cloth on boards shows some light sunning along edges. Matching vintage dust wrapper has a large loss at the back upper edge, and some smaller losses along edges. Surface rubbing in places front and back. Now protected in a removable archival mylar sleeve for proper presentation. See the accompanying images for full condition details. Will ship promptly, carefully packaged, with tracking. Margaretta K. Mitchell – A Concise Biography: Margaretta K. Mitchell (née Kuhlthau; born May 27 1935 in Brooklyn, New York) is an American photographer, writer, and educator whose career has spanned more than six decades. After graduating magna cum laude from Smith College in 1957, she worked as a research assistant to Edwin Land, the inventor of the Polaroid instant camera, until 1959. This early exposure to cutting‑edge photographic technology helped shape her lifelong interest in the medium’s technical and aesthetic possibilities. Mitchell’s photographic oeuvre is rooted in the Pictorialist tradition, emphasizing formal qualities of line, shadow, and composition—particularly in black‑and‑white portraiture and still‑life studies. Over the years she has incorporated graphic media into her images of flowers, expanding her visual vocabulary. Her work belongs to major public collections, including the Amon Carter Museum of American Art, the International Center of Photography (ICP), the Akron Art Museum, and San Francisco Museum of Modern Art. Beyond creating images, Mitchell has been a prolific author and curator. In the late 1970s she organized the traveling exhibition “Recollections: Ten Women of Photography,” which highlighted the contributions of pioneering women photographers such as Berenice Abbott, Ruth Bernhard, and Lotte Jacobi—an effort that helped restore their place in photographic history. Her publications include: “To a Cabin” (1973), co‑authored with Dorothea Lange, a lyrical account of rural life; “Gift of Place” (1969), a meditation on landscape and memory; A biography of Ruth Bernhard (2000); and “The Face of Poetry” (2005), exploring the intersection of visual art and verse. Throughout her career Mitchell has taught photography, written extensively for Popular Photography magazine, and continued to exhibit and publish, cementing her reputation as a vital chronicler of both the medium’s history and its contemporary practice.
Signed First Edition: “Recollections” Women in Photography, 1979 Art Book
Price range: $264.00 through $273.10
This is a black cloth-wrapped vintage coffee table hardcover featuring selected black and white images from some of the pre-eminate female photographers of the 20th century. Published by Viking in 1979, edited by Margaretta K. Mitchell, 206 page, including biographical notes.
First edition, signed by Ms. Mitchell to Robert Murdock, thanking him for his help for the opening of the gallery show that accompanied the book. Also signed by Barbara Morgan (one of the artists featured in the content). This is a very good or better volume, with no significant flaws. Black cloth on boards shows some light sunning along edges. Matching vintage dust wrapper has a large loss at the back upper edge, and some smaller losses along edges. Surface rubbing in places front and back. Now protected in a removable archival mylar sleeve for proper presentation. See the accompanying images for full condition details. Will ship promptly, carefully packaged, with tracking. Margaretta K. Mitchell – A Concise Biography: Margaretta K. Mitchell (née Kuhlthau; born May 27 1935 in Brooklyn, New York) is an American photographer, writer, and educator whose career has spanned more than six decades. After graduating magna cum laude from Smith College in 1957, she worked as a research assistant to Edwin Land, the inventor of the Polaroid instant camera, until 1959. This early exposure to cutting‑edge photographic technology helped shape her lifelong interest in the medium’s technical and aesthetic possibilities. Mitchell’s photographic oeuvre is rooted in the Pictorialist tradition, emphasizing formal qualities of line, shadow, and composition—particularly in black‑and‑white portraiture and still‑life studies. Over the years she has incorporated graphic media into her images of flowers, expanding her visual vocabulary. Her work belongs to major public collections, including the Amon Carter Museum of American Art, the International Center of Photography (ICP), the Akron Art Museum, and San Francisco Museum of Modern Art. Beyond creating images, Mitchell has been a prolific author and curator. In the late 1970s she organized the traveling exhibition “Recollections: Ten Women of Photography,” which highlighted the contributions of pioneering women photographers such as Berenice Abbott, Ruth Bernhard, and Lotte Jacobi—an effort that helped restore their place in photographic history. Her publications include: “To a Cabin” (1973), co‑authored with Dorothea Lange, a lyrical account of rural life; “Gift of Place” (1969), a meditation on landscape and memory; A biography of Ruth Bernhard (2000); and “The Face of Poetry” (2005), exploring the intersection of visual art and verse. Throughout her career Mitchell has taught photography, written extensively for Popular Photography magazine, and continued to exhibit and publish, cementing her reputation as a vital chronicler of both the medium’s history and its contemporary practice.
First edition, signed by Ms. Mitchell to Robert Murdock, thanking him for his help for the opening of the gallery show that accompanied the book. Also signed by Barbara Morgan (one of the artists featured in the content). This is a very good or better volume, with no significant flaws. Black cloth on boards shows some light sunning along edges. Matching vintage dust wrapper has a large loss at the back upper edge, and some smaller losses along edges. Surface rubbing in places front and back. Now protected in a removable archival mylar sleeve for proper presentation. See the accompanying images for full condition details. Will ship promptly, carefully packaged, with tracking. Margaretta K. Mitchell – A Concise Biography: Margaretta K. Mitchell (née Kuhlthau; born May 27 1935 in Brooklyn, New York) is an American photographer, writer, and educator whose career has spanned more than six decades. After graduating magna cum laude from Smith College in 1957, she worked as a research assistant to Edwin Land, the inventor of the Polaroid instant camera, until 1959. This early exposure to cutting‑edge photographic technology helped shape her lifelong interest in the medium’s technical and aesthetic possibilities. Mitchell’s photographic oeuvre is rooted in the Pictorialist tradition, emphasizing formal qualities of line, shadow, and composition—particularly in black‑and‑white portraiture and still‑life studies. Over the years she has incorporated graphic media into her images of flowers, expanding her visual vocabulary. Her work belongs to major public collections, including the Amon Carter Museum of American Art, the International Center of Photography (ICP), the Akron Art Museum, and San Francisco Museum of Modern Art. Beyond creating images, Mitchell has been a prolific author and curator. In the late 1970s she organized the traveling exhibition “Recollections: Ten Women of Photography,” which highlighted the contributions of pioneering women photographers such as Berenice Abbott, Ruth Bernhard, and Lotte Jacobi—an effort that helped restore their place in photographic history. Her publications include: “To a Cabin” (1973), co‑authored with Dorothea Lange, a lyrical account of rural life; “Gift of Place” (1969), a meditation on landscape and memory; A biography of Ruth Bernhard (2000); and “The Face of Poetry” (2005), exploring the intersection of visual art and verse. Throughout her career Mitchell has taught photography, written extensively for Popular Photography magazine, and continued to exhibit and publish, cementing her reputation as a vital chronicler of both the medium’s history and its contemporary practice.
Motel of Mysteries c.1984 David Macaulay Vintage paperback large picture storybook
Price range: $23.00 through $27.92
CONDITION: Very good plus or better. No writing, no loose, torn or folded pages. No writing. Binding tight, text block and covers very crisp. Store price tag on back cover lower barcode. See accompanying images for full condition details. ABOUT: Published circa 1984 by Houghton Mifflin, 96 pages. All pages in black and white. Will ship promptly, carefully packaged.
Motel of Mysteries c.1984 David Macaulay Vintage paperback large picture storybook
Price range: $23.00 through $27.92
CONDITION: Very good plus or better. No writing, no loose, torn or folded pages. No writing. Binding tight, text block and covers very crisp. Store price tag on back cover lower barcode. See accompanying images for full condition details. ABOUT: Published circa 1984 by Houghton Mifflin, 96 pages. All pages in black and white. Will ship promptly, carefully packaged.
Motel of Mysteries c.1984 David Macaulay Vintage paperback large picture storybook
CONDITION: Very good plus or better. No writing, no loose, torn or folded pages. No writing. Binding tight, text block and covers very crisp. Store price tag on back cover lower barcode.
Motel of Mysteries c.1984 David Macaulay Vintage paperback large picture storybook
CONDITION: Very good plus or better. No writing, no loose, torn or folded pages. No writing. Binding tight, text block and covers very crisp. Store price tag on back cover lower barcode.
Garry Trudeau “A Doonesbury Special” Signed First edition hardcover in original jacket
$82.00
"A Doonesbury Special - A Director's Notebook", by Garry Trudeau, published by Sheed, Andrews & McMeel inc in 1978.
Signed association copy, first edition.
This large format illustrated cloth bound hardcover with original dust jacket chronicling the creation of the television special of the same name, is inscribed "For Richard Killberg with gratitude from Garry Trudeau, March 16, 1978" and also signed by the producer Faith Hubley (see images).
This is a "very good" vintage book covered in white cloth with gold embossing on the cover and spine. The embossing is bright and clear, not rubbed or faded. The board corners are sharp, not worn or bumped, the spine head and heel are minimally bumped. There is light tanning to the board edges around, and two small, approximately dime sized light spots on the back board edges, one at top and one at the bottom. The top one does not reach the interior, the lower one has a brown spot on the inner edge. None of the pages are loose, torn or folded and there is no writing aside from the mentioned inscription. The book is solid with tight hinges. The text block edges are somewhat tanned.
Richard Killberg was a director and producer, and he may have either had an uncredited role in the creation of the television special or Mr. Trudeau and Ms. Hubley owed him thanks for some previous assistance.
The original dust jacket, now securely protected in a removable archival mylar sleeve is not price clipped, showing the original publisher's price of $12.95 inside the front flap. The back has a couple of 1 1/2" - 2" closed tears at the top edge with some accompanying creasing and little loss on one. No writing, some general edge wear and light tanning to white background. Not a perfect cover, but still very pleasant and presentable.
Will ship promptly, carefully packaged.
Garry Trudeau “A Doonesbury Special” Signed First edition hardcover in original jacket
$82.00
"A Doonesbury Special - A Director's Notebook", by Garry Trudeau, published by Sheed, Andrews & McMeel inc in 1978.
Signed association copy, first edition.
This large format illustrated cloth bound hardcover with original dust jacket chronicling the creation of the television special of the same name, is inscribed "For Richard Killberg with gratitude from Garry Trudeau, March 16, 1978" and also signed by the producer Faith Hubley (see images).
This is a "very good" vintage book covered in white cloth with gold embossing on the cover and spine. The embossing is bright and clear, not rubbed or faded. The board corners are sharp, not worn or bumped, the spine head and heel are minimally bumped. There is light tanning to the board edges around, and two small, approximately dime sized light spots on the back board edges, one at top and one at the bottom. The top one does not reach the interior, the lower one has a brown spot on the inner edge. None of the pages are loose, torn or folded and there is no writing aside from the mentioned inscription. The book is solid with tight hinges. The text block edges are somewhat tanned.
Richard Killberg was a director and producer, and he may have either had an uncredited role in the creation of the television special or Mr. Trudeau and Ms. Hubley owed him thanks for some previous assistance.
The original dust jacket, now securely protected in a removable archival mylar sleeve is not price clipped, showing the original publisher's price of $12.95 inside the front flap. The back has a couple of 1 1/2" - 2" closed tears at the top edge with some accompanying creasing and little loss on one. No writing, some general edge wear and light tanning to white background. Not a perfect cover, but still very pleasant and presentable.
Will ship promptly, carefully packaged.
Reviews
There are no reviews yet.