Exiles James Joyce 1945 Vintage New Directions hardcover in dust jacket
$53.00
Exiles is James Joyce’s only extant play and draws on the story of “The Dead”, the final short story in Joyce’s story collection Dubliners.
First edition thus.
This is a “very good” or better vintage hardcover in light tan cloth wrapped boards. The spine and hinges are tight and crisp, as are the board corners. The text block is square and closes tightly. Spine head and heel are lightly bumped. Some light staining within the back cover hinge toward the bottom. Aside from a gift inscription dated 1955 on front free endpaper, no writing. No loose, torn or folded pages.
The matching vintage dust jacket is price clipped. A triangular loss at front upper corner, and smaller ones on spine head and heel. Spine lightly sunned. Now in a protective removable archival sleeve.
See accompanying images for complete condition details.
Will ship promptly, carefully packaged.
1 in stock
Additional information
| Weight | 32 oz |
|---|---|
| Dimensions | 8 × 5 × 2 in |
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LOOKING INTO WALT WHITMAN: AMERICAN ART, 1850-1920 Sealed NEW Hardcover
Why is Walt Whitman’s face as familiar as his poetry? In answering this question, Ruth Bohan tells a story of self-invention and portraiture. Whitman approached successive editions of Leaves of Grass as opportunities to establish close, dynamic links between his poetry and visual representation. Bohan shows as well that Whitman, who sought out friendships with numerous artists, left a legacy absorbed after his death into the fabric of American modernism.
Looking into Walt Whitman provides ample evidence that the poet’s engagement with the visual arts extended beyond photography into painting, printmaking, and sculpture. Through discussion of Whitman’s gradual emergence as an American, democratic, and radical figure, the book opens new ways to assess his impact upon such artists as Thomas Eakins, Joseph Stella, and Marsden Hartley.
Biography, art history, and the history of literature come together in Bohan’s rich, suggestive book. Based on years of research, it presents valuable information about Whitman portraiture; the publishing of his masterpiece, Leaves of Grass; artists’ responses to his transgressive persona; and Robert Coady’s work on The Soil, among other pivotal topics.
The many images, reproduced in color or as duotones, will be of significance both to Whitman specialists and to readers seeking an introduction to Whitman’s role as a poet who vitally shaped both the visual and literary arts of America.
Ruth L. Bohan is Associate Professor of Art and Art History at the University of Missouri–St. Louis.
LOOKING INTO WALT WHITMAN: AMERICAN ART, 1850-1920 Sealed NEW Hardcover
Why is Walt Whitman’s face as familiar as his poetry? In answering this question, Ruth Bohan tells a story of self-invention and portraiture. Whitman approached successive editions of Leaves of Grass as opportunities to establish close, dynamic links between his poetry and visual representation. Bohan shows as well that Whitman, who sought out friendships with numerous artists, left a legacy absorbed after his death into the fabric of American modernism.
Looking into Walt Whitman provides ample evidence that the poet’s engagement with the visual arts extended beyond photography into painting, printmaking, and sculpture. Through discussion of Whitman’s gradual emergence as an American, democratic, and radical figure, the book opens new ways to assess his impact upon such artists as Thomas Eakins, Joseph Stella, and Marsden Hartley.
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Ruth L. Bohan is Associate Professor of Art and Art History at the University of Missouri–St. Louis.
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