Weird Tales Sept 1950 — Asimov & PohlWeird Tales Sept 1950 — Asimov & Pohl
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Weird Tales Sept 1950 — Asimov & Pohl

$41.00

Weird Tales Sept 1950 with first-published Asimov-Pohl collaboration "Legal Rites." Matt Fox cover art. Good+ condition pulp magazine.

Weird Tales Sept 1950 — Asimov & PohlWeird Tales Sept 1950 — Asimov & Pohl
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Weird Tales Sept 1950 — Asimov & Pohl

$41.00

Weird Tales Sept 1950 with first-published Asimov-Pohl collaboration "Legal Rites." Matt Fox cover art. Good+ condition pulp magazine.

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James MacCreigh (Frederik Pohl), Robert A. Heinlein, Leslie Charteris “Thrilling Wonder Stories, October 1947”James MacCreigh (Frederik Pohl), Robert A. Heinlein, Leslie Charteris “Thrilling Wonder Stories, October 1947”
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James MacCreigh (Frederik Pohl), Robert A. Heinlein, Leslie Charteris “Thrilling Wonder Stories, October 1947”

$20.00
This landmark Golden Age science fiction pulp magazine features the first appearance of Robert A. Heinlein's famous novelette "Jerry Is a Man." This sought-after issue also includes Frederik Pohl's "Donovan Had a Dream" (written under his James MacCreigh pseudonym) and Leslie Charteris’s "The Darker Drink." Complete with iconic, mind-bending interior illustrations by Virgil Finlay and a sensational cover by Earle Bergey, this is a spectacular artifact of mid-century speculative fiction history.
James MacCreigh (Frederik Pohl), Robert A. Heinlein, Leslie Charteris “Thrilling Wonder Stories, October 1947”James MacCreigh (Frederik Pohl), Robert A. Heinlein, Leslie Charteris “Thrilling Wonder Stories, October 1947”
Quick View

James MacCreigh (Frederik Pohl), Robert A. Heinlein, Leslie Charteris “Thrilling Wonder Stories, October 1947”

$20.00
This landmark Golden Age science fiction pulp magazine features the first appearance of Robert A. Heinlein's famous novelette "Jerry Is a Man." This sought-after issue also includes Frederik Pohl's "Donovan Had a Dream" (written under his James MacCreigh pseudonym) and Leslie Charteris’s "The Darker Drink." Complete with iconic, mind-bending interior illustrations by Virgil Finlay and a sensational cover by Earle Bergey, this is a spectacular artifact of mid-century speculative fiction history.
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